He is wonderful guitarist with agile fingers with the deep understanding of cords, rhythm and beats.
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His dream is to become a professional acoustic finger style guitarist. “They’ve positioned me as well as possible,” he says, “to be able to thrive as an artist.Hey Guys!! This little kid is Sungha Jung from South Korea. Person says this partnership with manager Christopher Durst and producer Will Loconto gives him a lot of space to focus on the music. Not only does Person maintain control over his intellectual property, but he’s also an equal partner in the label itself. He signed a unique deal with upstart label Blackdenim Records. So far, Person has taken this advice to heart. Don’t get distracted by all the temptations and flashing lights of the industry.” “His main message was keep your head clear,” Person explains. He received some valuable advice from living legend Buddy Guy. Person has already opened for some of his blues guitar heroes. “He has a great musical mind and ear.” The two worked as a team shaping Person’s rough demos into polished, radio-ready songs. “He’s not just a drummer - he’s a composer, a writer,” Person says. At times, the intensity and dynamics of his drumming threaten to steal the show from the band’s namesake.īut Person wouldn’t have it any other way.
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Wyble’s drumming is both free and controlled behind the kit. Person’s guitar solos are extended into the territory of classic rock odyssey. On stage, the peaks are higher and wilder the valleys are deeper and more intimate.
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And these two dudes know how to make a lot of noise. Aside from synth and bass backing tracks, Person and drummer Jake Wyble are responsible for the entirety of the band’s live sound. In a live setting, Person’s songs are even more alive. Person’s acoustic guitar picking on “Wanna Fly” is reminiscent of Appalachian claw-hammer banjo and pairs perfectly with the song’s gospel-style vocal harmonies. The feel-good, retro pop melodies of “Radio Man” and “How Long” are sure to get stuck in your head, while the minor key blues of songs like “Back To Me” and “Let Me Know” add a brooding swagger to the EP. By the second chorus, a square-wave bass synth joins the party and ensures the listener this isn’t strictly a throwback affair. The opening track, “Can’t Stop Running,” sets the album’s energetic tone with distorted slide guitar and a steady, danceable beat. In the process, he exhibits the fearless eclecticism that’s been the hallmark of American music. He skillfully blends his diverse influences and avoids creating a disjointed musical hodgepodge. It’s also a modern medium for artistic expression.īeyond blues, Person’s music also contains elements of pop, soul, gospel, indie and classic rock. This current crop of Austin-area blues musicians - Person included - proves the blues isn’t strictly a traditional American folk music style. Person’s debut shows he has the musical chops and songwriting skills to stand among the artists who inspired his move from Houston to Austin - performers like Jackie Venson, Gary Clark Jr. With his self-titled debut album, Person moves beyond the label of guitar prodigy and steps into his own as an artist. called his sound “refreshing” and Jennifer Lopez said he was “from another time.” And rather than enrolling in college after high school, he opted to audition for American Idol, where Harry Connick Jr. The guitar phenom and singer-songwriter was playing at Houston’s House of Blues before he was old enough to drive.
He may be in his mid-twenties, but Zach Person already has an impressive resume.